Modernism versus Traditionalism: Art in Paris, 1888-1889. Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais

Modernism versus Traditionalism: Art in Paris, 1888-1889


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ISBN: 9781469641270 | 58 pages | 2 Mb

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  • Modernism versus Traditionalism: Art in Paris, 1888-1889
  • Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais
  • Page: 58
  • Format: pdf, ePub, fb2, mobi
  • ISBN: 9781469641270
  • Publisher: Reacting Consortium Press
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Free downloadable audiobooks for iphone Modernism versus Traditionalism: Art in Paris, 1888-1889 English version PDB iBook RTF 9781469641270 by Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais

Modernism versus Traditionalism: Art in Paris, 1888-1889 by Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the "texts" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.

Reacting to the Past: Art in Paris, 1888-89 | Art History Teaching
The result was Modernism versus Traditionalism: Art in Paris, 1888-89. I chose the dates of 1888-89 for a specific reason: I am bothered by the scholarly narrative that indicates that Van Gogh and Gauguin somehow had actual authoritative power in the art world at that time. Reality was starkly different. Art nouveau : art and design at the turn of the century - MoMA
in Dresden and the Fauves in Paris. Japanese Art But of greatest importance especially in painting and the graphic arts was the impact of Japanese art. 36. Here was a completely new esthetic expression in which each Western artist could find inspiration for his own individual style. Whistler was the first major painter. K W McKay - Böcker | Bokus bokhandel
Modernism versus Traditionalism. av Gretchen K McKay, Nicolas W Proctor, Michael A Marlais. Häftad, Engelska, 2018-01-30, ISBN 9781469641263.Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will  Gretchen K McKay - Böcker | Bokus bokhandel
Modernism versus Traditionalism. av Gretchen K McKay, Nicolas W Proctor, Michael A Marlais. Häftad, Engelska, 2018-03-01, ISBN 9781469641263.Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will  Reacting to the Past in Practice | Art History Teaching Resources
I spent my summer reading about pedagogy, concentrating on innovative methods of teaching and assessment. I read Mark C. Carnes's Minds on Fire, a book that introduced me to Reacting to the Past and inspired me to adopt Gretchen McKay's Modernism -vs- Traditionalism: Art in Paris, 1888-1889 (see 



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